Malaysian Blackwood Cutaway selecting and routing a back-strip “SP3″

 

 

I wanted a tasteful back-strip set into the back, to set off this lovely Blackwood back. Above is a picture of the back with the strip routed to depth, exactly down the centre of the back of the blackwood.

The back would be Routed and the selected strip glued into place. The back with its “New” strip would be sanded to the same thickness.

I decided that I wanted a Marquetry Back-strip and for me, the choice was between LMI’s”Chevron” (B16B) and one of LMI’s Herringbone Marquetry Purflings ,their “Fine” (PF13), click on the  link in the line above and you will be taken to the LMI page in their Catalogue and then scroll down to the Marquetry back-strips and you will see an example of both. I chose the “Chevron” (B16B), a picture of it appears in the  Catalogue. I have used this Chevron before and have to admit that of all the back-strips, when building an OM or Dreadnaught style of instrument, in my opinion, this is the most attractive and suits this style of instrument very well. 

A yellow Crayon line was then drawn down the exact centre of the back and the back was routed to take the back-strip. The strip was measured with a vernier caliper to determine its width and the route was then made slightly wider than the strip to allow for expansion of the strip after the application of glue and pressure to hold the strip in place during drying. After the back-strip was completely dry, the whole back was sanded to thickness ready for cutting to shape to take the back bracing.

Strip in situ with the back sanded ready for cutting to shape

Strip in situ with the back sanded ready for cutting to shape

Yellow Crayon line drawn down the centre of the back

Yellow Crayon line drawn down the centre of the back strip.

caliper being used to measure the strip

caliper being used to measure the strip

Custom Lacewood Parlor Guitar “SP2.”

Dan Kabanuk  from LMI suggested to me one morning that I should try a set of “Lacewood”,he said that the Timber had originally been sourced for solid body Electric Guitar Tops because of its unusual figure.

He described the Timber as having  an outstanding cross-hatched figure, in a warm cinnamon brown color, the wood was dense and had a loud sustaining tap tone,and it had occurred to someone at LMI that it just might make a great ,back and side set,and so it turned out. I said,”send a set over”

Bent Lacewood on Festool worktable

Bent Lacewood on Festool worktable

The set sent to me was for a Parlor size Guitar, (I had not specified what size Guitar set I wanted),however, and quite coincidentaly, it had occurred to me ,that from the pictures that I had see , the Timber would lend itself to a Parlor style Guitar.

One morning, about a week later ,I was staring at quite the most interesting and beautiful timber that I had seen for a long time and so I got to work ,straight away (without taking Pictures of the set in it “Natural”,state), and bent the sides, selected a backstrip and stuck the back together.

It was after I had done this that the concept of a ”SHOWCASE” occured to me.

No Matter– I took some pictures and have “put up” a couple of shots with this post, which shows  the “Lacewood”,  after the sides had been bent and the back Joined, ready for the project to move into the next phase of the building process, as “SP3.”

Just look at the delicate pattern in the timber, it just looks like lace. The Photo below is a Macro Picture of the Timber and gives a very good idea of the Grain orientation and the Peacock eyelets that runs throughout the set.

lacewood-back.To the left is the joined back

CLICK ON THE PICTURES AND MOVE THE ENLARGED PICTURE AROUND THE SITE

 

Directly under this is the MACRO Picture of the wood

Bent Lacewood Pair of sides

Bent Lacewood Pair of sides

 

 

lwood-macro